Musical Director

 Maura Goodwin is the Associate Director of Music at St. Agnes Cathedral, in the Diocese of Rockville Centre, NY, joining the Music Team in 2018. Miss Goodwin is the Director of the Cathedral Junior and Senior Girls Choir, and the Cathedral Children’s Choir, where she teaches girls in grades one through high school. She also accompanies the various choirs at the cathedral, under the direction of Michael L. Bower.

Maura is a graduate of Franciscan University of Steubenville, Ohio. At Steubenville, she received degrees in Sacred Music and Theology, studying the organ under Nicholas Will. She obtained her Master’s Degree in Sacred Music at Duquesne University, studying the organ under Dr. Ann Labounsky. She also received choral instruction from Dr. Caron Daley, and sang in a number of choral ensembles in the Pittsburgh and Metropolitan area.

At the cathedral, Maura has been involved in the production of major performances under the direction of Michael L. Bower, including Mozart’s and Faure’s Requiem, Mahler’s Symphony No. 3, as well as Handel’s Messiah and Mahler’s Symphony No. 2. Maura also loves early music and directs a small schola once a month at Our Holy Redeemer Parish in Freeport. A member of the Metropolitan Catholic Chorale since 2018, Maura has loved singing with Dr. Jennifer Donelson. Director of the Metropolitan Catholic Chorale since 2022, she is excited to further bring sacred music to others.



Director Emerita and Founder

Jennifer Donelson-Nowicka is an associate professor and the director of sacred music at St. Patrick’s Seminaryin Menlo Park, California, where she holds the William P. Mahrt chair in sacred music.

She has co-edited Mystic Modern: The Music, Thought, and Legacy of Charles Tournemire, published by the Church Music Association of America (CMAA). Her publications also include articles in the New Catholic EncyclopediaSacred MusicAntiphon: A Journal for Liturgical Renewal, the proceedings of the Gregorian Institute of Canada, the Fellowship of Catholic Scholars Quarterly, the Adoremus BulletinLiturgy in the Twenty-First Century (Bloomsbury/T&T Clark), and a chapter in the forthcoming Messiaen in Context (Cambridge University Press).

She serves on the board of the CMAA, is the managing editor of the CMAA’s journal Sacred Music, and is a regular member of the faculty for the CMAA’s annual Sacred Music Colloquium. As academic liaison of the CMAA, she has organized and presented papers at several academic conferences on Charles Tournemire, the work of Msgr. Richard Schuler, and the role of Gregorian chant in pastoral ministry and religious education. She was a co-organizer of the Sacra Liturgia conferences in New York (2015) and San Francisco (2022), and has presented papers at the Sacra Liturgia conferences in New York, London, Milan, and San Francisco. The sometime president, she is currently a board member of the Society for Catholic Liturgy, and served as the conference organizer for the annual meeting of the Society for Catholic Liturgy in Miami. Donelson-Nowicka serves as a Consultant to the USCCB’s Committee on Divine Worship.

Donelson-Nowicka received her DMA in piano performance at the University of Nebraska-Lincoln, where she studied piano with Paul Barnes, Mark Clinton, and Ann Chang in addition to her organ studies with Quentin Faulkner. She received her undergraduate degree in vocal music education and North Dakota State University, where she studied piano with Dr. Robert Groves and conducting with Dr. JoAnn Miller.

Having studied Gregorian chant at the Catholic University of America and the Abbey of St. Peter in Solesmes, for six years Donelson-Nowicka served as a co-organizer of the Musica Sacra Florida Gregorian Chant Conference, and has given chant workshops in dioceses, parishes, and monasteries across the U.S. and Europe. Before coming to St. Patrick’s, Dr. Donelson-Nowicka served on the faculty at St. Gregory the Great Seminary in the diocese of Lincoln, Nebraska, at Nova Southeastern University in Fort Lauderdale, where she taught music theory, music history, piano, and directed the university chorale, and at St. Joseph’s Seminary (Dunwoodie) in New York, where she developed an extensive musical formation program for seminarians and lay students.

As a choral conductor, Donelson-Nowicka has directed seminary, collegiate, semi-professional, amateur, monastic, and children’s choirs. In her new position at St. Patrick’s, she will be working to establish a schola cantorum. She previously directed the Schola Cantorum of St. Joseph’s Seminary, which regularly sang Gregorian and Spanish- and English-language chant, along with an extensive repertoire of sacred polyphony, for the seminary liturgies, while also singing a yearly concert broadcast on Sirius XM, recording a full-length album of music dedicated to St. Joseph, and performing choral masterworks on a concert tour of northern France (2017). She also founded and directed the Metropolitan Catholic Chorale. She has taught extensively for religious orders, including the contemplative sisters at the Monastery of St. Edith Stein in Borough Park, Brooklyn (Servants of the Lord and the Virgin of Matará [SSVM]) and the Benedictine nuns of Priorij Nazareth Tegelen in the Netherlands. She has served as a choral conducting coach for graduate organ students in Yale University’s Institute of Sacred Music. Additionally, she has taught chant to children for many years using the Ward Method (Ave Maria Oratory, Ave Maria, FL; Colm Cille Club, Pelham, NY; Immaculate Conception Children’s Schola Cantorum, Sleepy Hollow, NY), and previously served on the faculty at Cardinal Kung Academy in Stamford, Connecticut.

Dr. Donelson-Nowicka is currently working on a project to adapt the Gregorian chants of the Mass proper for the Spanish languageShe also hosts a weekly podcast entitled “Square Notes: The Sacred Music Podcast.”

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